This week the Hack or Slash team checks out Rear Window (1954).
This week the Hack or Slash team checks out Rear Window (1954). The group laments the struggles of 1950's misogyny, examines the film's intricate set design, and reflects on the nuance of Grace Kelly's performance. This episode contains spoilers, beginning at 33:15.
Short Story: "It Had to Be Murder" by Cornell Woolrich
Diegetic Sound and Non-Diegetic Sound: What’s the Difference?
Grace Kelly's granddaughter Pauline Ducruet has a gender-neutral fashion line
Bernard Herrmann Presents Alfred Hitchcock - Apple Music Playlist
We've launched our Patreon page so we could have a place for listener support. While we'll always be a non-profit show with no advertisements or official sponsors, we do need some help to keep it going. We are accepting support in the form of small monetary amounts ($1-$3) from our audience. Alternatively, you can treat yourself to podcast merch. Our store offers hoodies, shirts, hats, and more. The proceeds we gain from Patreon and our merch sales are put towards ongoing website fees, funding for new content, and equipment upgrades.
Kris: @Rojawesome
Alexis: @HackorSlashLex
Ryan: @ryanfremeau
Mack: @mackorslash
Paris: @parisnicholson
You can connect with us by creepin' on us on Facebook, Twitter or Instagram, @HackorSlash. You can also share your opinions with us by shooting us an email to feedback@hackorslash.com.
Feel free to shoot us a text, audio message, or leave us a voicemail by contacting the Hack or Slash Hotline: 757-606-0128.
We want to give a special thanks to the following patrons:
"Hack or Slash" by Daniel Stapleton
"The Dread" Kevin MacLeod (incompetech.com)
Licensed under Creative Commons: By Attribution 3.0 License http://creativecommons.org/licenses/by/3.0/